Theatralia

Contacts

• Anamarija Žugić Borić

  Research assistant, DARIAH-HR

  Anamarija Žugić Borić studied Comparative Literature and Latin Language and Literature at the Faculty of...

  Anamarija Žugić Borić studied Comparative Literature and Latin Language and Literature at the Faculty of Humanities and Social Sciences, University of Zagreb, Croatia, where she currently writes a Ph.D. thesis on the independent contemporary theater in Croatia. Prior to joining Croatia’s National DARIAH Coordination Office in her capacity as an assistant, she worked as a TA at the Department of Classical Philology, University of Zagreb, and as an assistant in the Division of the History of Croatian Theater, Croatian Academy of Sciences and Arts. She also worked as a publishing house editor. Anamarija Žugić Borić is also a freelance music and theater critic, copywriter, copyeditor, and proofreader. She was engaged in various DH projects and workshops, in particular in the Open Philology Workshop in Leipzig, in the Croatiae auctores Latini (CroALa) collection and in the digitization of theatrical materials for the Digital Collection and Catalog of the Croatian Academy of Sciences and Arts. Her research interests include performing arts, digital theater, theatrical sound and music, archival processing, NLP, digital collections and digital editions.

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• Cécile Chantraine-Braillon

  Full Professor – La Rochelle Université

  Cécile Chantraine Braillon is a full professor of Hispanic Studies at La Rochelle University since...

  Cécile Chantraine Braillon is a full professor of Hispanic Studies at La Rochelle University since 2018, and her research focuses on Latin American theater and Performing Arts. She has held a PhD in Hispanic Studies from the Université de Lille Nord de France since 2007 and a habilitation to direct research (HDR) since 2017. Her research interests aim to contribute to the theorization of live performance analysis: to this end, she also focuses on the design of digital tools offering specific functionalities for research in this field, concerning not only preservation (conservation of the creative process and performance) but also the analysis of live performance data (genetic criticism, semiology, cultural analysis). She manages ESNA project (2021-2024) whose aim is to contribute to the computerization of performing arts research. In the framework of this research program, she develops a digital tool named e-spect@tor and dedicated to annotating videos of live performances. Previously, she also led several research project in the same field of Digital Humanities such as the Nord de la France regional program VISUAL STAGING (2019-2022 with Yann Coello and Laurence Delbarre-Willard) and the workpackage e-spect@tor in the Erasmus + DiMPAh project (Digital Methods Platform for Arts and Humanities / 2020-2023). She is also a member of the CANEVAS research consortium, accredited by the Huma-Num Very Large Research Infrastructure, dedicated to research into the analysis of digital audiovisual corpora. To promote the development of digital humanities, it is also leading the project to create a European master’s degree in digital Humanities at La Rochelle University: this initiative, which will be part of the EU-CONEXUS European alliance, is supported by the Erasmus Mundus Design Project. From a theoretical-practical perspective, Cécile Chantraine Braillon is also accustomed to organizing cultural events in connection with her research projects on the analysis of the performing arts.

  Skills and research fields:Researcher in Hispano-American Performing Arts and Digital Humanities

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